- Collaboration with Bandai Namco Holdings
- Full ownership of artist negotiations and talent sourcing
- Team rotation without compromising quality or deadlines
- Managing approval pipelines with IP holders
- Implementation of PDCA and enhanced pre-production workflows
- Production pipeline tailored for large licensed IPs
Working with major IPs requires more than strong visuals — it demands production discipline. In collaboration with Bandai Namco Holdings on Evangelion and Digimon projects, we built a scalable production pipeline designed around strict publisher standards and complex approval workflows from IP holders. The project began with an unusual challenge: Bandai came to us with a pre-selected roster of artists. Our team handled all negotiations, onboarding, and production scaling while assembling additional specialists to maintain deadlines, quality, and budget stability throughout the process.
We used that experience to completely restructure our workflow for Digimon by implementing PDCA principles and a much stronger pre-production phase. Before production even started, we aligned on poses, powers, environments, and scene details through extensive reference boards and early approvals. The result was a significantly smoother pipeline with minimal feedback loops, fewer revisions, and a production system built to support high-volume licensed IP work at scale.
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